The Chinese 12au7's have always done the jump factor really well. They sound very smooth and neutral, if they have one little weakness it might be a just a tad grainy on top.They are not a lush tube by any means but I will take that tube over a Telefunken 12au7 any time of the day.They are a tad warmer then the Tele's.With either of these tubes I recommend not using silver IC's. To much of a good thing in clarity and neutrality.
BillC, did you pick up the Brimar 13D5 or just Brimar 12au7? The reason I ask is I really like what the 13D5's do as the drivers in our monoblocks. The extended highs just sparkle in that application compared to the stock Chinese 12AU7's. The upper midrange in the 13D5's just has that smoothness and air about it. My JBL 2404 tweets just shine and shimmer.
Rich, have you tried the Brimars using your new birthday presents :drool:That tweeter should love what the Brimars bring to the table. Also Alex Yeung, you know what they say,just spell my name right
Alex will appreciate it.
Surprisingly, I like the bottom end of the GE 5814, deep but not punchy,think old tube sound if looking for that flavor.
Did Amperex ever make a bad tube? Some lust after that foil getter but I have one that was NOS and even used it maybe 50 hours and have lent it out and put it back in my system and the highs on that still are a bit to etched for my liking, all others by Amperex have always pleased. The funny thing about this tube was I know I paid about $130 for it
Carusoracer, The Mullard 10M goldpin is the cats meow, probably the finest if not the king of the 12au7 family.
Those Amperex 7316's are ok if halo gettered, the D or square shaped getter betters it in just about every way, at least in my system.
Please take all suggestions with a grain of salt, as systems, synergies, tone looking to achieve, and personal tastes are just a few of the variables.With that said I always liked the Raytheon triple mica blackplate 5814A also their 1950's vintage blackplate 12au7's.Wonderful portrayal of instruments, notes that hang in the air, soundstage with pinpoint placement of musicians.
If you ever run into the Siemens silverplate 12au7 that would be a ticket for cleaning up any muddiness