What are you listening to right now?

[GDHAL]

** AT WIFE'S REQUEST **

Pink Floyd
Providence Civic Center
1987-10-17

Recording Type: Audience
Taper: Balrog (Barry Rogoff)
Remastering: Lestat
Art: Gromek

Setlist:

Vol. 1

01. Shine On You Crazy Diamond I-V >
02. Signs of Life
03. Learning To Fly
04. Yet Another Movie > Round And Around
05. A New Machine I
06. Terminal Frost
07. A New Machine II
08. Sorrow (fades out)
09. (fades in) The Dogs of War
10. On the Turning Away
11. One of These Days

Vol. 2

01. Time
02. On the Run
03. Wish You Were Here
04. Welcome to the Machine
05. Us and Them
06. Money (fades out)
07. Another Brick In the Wall II
08. Comfortably Numb
09. E: One Slip
10. E: Run Like Hell

David Gilmour, guitar
Nick Mason, drums
Richard Wright, keyboards
Scott Page, saxophones
Rachel Fury, vocals
Margaret Taylor, vocals
Guy Pratt, bass
Tim Renwick, guitar

Source and Lineage:

1987: Sony ECM-150T Electret condenser mikes > Sony WM-D6C [Dolby B in] > Maxell XLII-S

2010: Maxell XLII-S > Nakamichi Dragon [Dolby B out] > RDL FP-UBC6 > MOTU 896 > Sound Forge Audio Studio > Wave [24/96] > Adobe Audition > Wave [24/48 and 16/44.1] > FLAC

Recorded at 96kHz and downsampled to 48kHz for editing.

Contrast Clause:

As far as we know, there is only one other source of this concert, which is not currently on Dime but can be found on http://echoeshub.com/ I think you'll find this one to be an upgrade.

Barry's Notes:

This recording is the product of a great deal of painstaking effort to remove the obnoxious noise made by a group of four to five screaming idiots, led by one extremely irritating screamer (think nails on a chalkboard) sitting in front of my microphones. Because of these idiots, this recording has essentially sat on the shelf since 1987 and has never been circulated. It was discussed in the Dime group under the topic of getting rid of screamers.

This recording owes its sound quality to the acoustics of the Providence Civic Center, my favorite of all hockey rinks, and to the superb 360-degree sound system used by Pink Floyd. Omnidirectional mikes were able to pick up all the sound from all parts of the system, which created a listening experience different from that produced by typical directional mikes. I hope you enjoy it as much as I do.

The methods and tools used to mitigate the screamers are described under Technical Notes below.

Lestat's Notes:

I can't adequately express my gratitude to Barry for handling the incredibly tedious process described below ahead of my work, which itself became the most difficult project I've undertaken to date and as such went way past the usual 1-2 months usually required to get that certain "BLG" sound.

Barry did a superb job too. There is no attack on music signal that even I can hear, except in a couple of spots so brief they really don't matter. The primary screamer in question was really bad, and is noticeably weird sounding now but that's just fine with me and even quite funny at times - sounds as if a helium overdose underway ;} What does matter: Pink Floyd themselves aren't overwhelmed as they were in the raw master.

My own work challenges stemmed from the type of microphone Barry had to start using around 1984 due to security increasingly wise to the possibilities of ARs rivaling industry "live" releases for sonic detail. Literally a "lapel"-style minimike, it was of excellent quality but would not capture sound in larger venues with a lot of reverb the same way a set of Nak cardioids would.

To make the usual long story short I had to start over on this one more times than I can count, and listeners already familiar with the "BLG" series should still not expect quite the same level of quality heard in captures involving Nak mikes even 10 years older. Nonetheless, enough of what we strive for is there to provide what we now find a most enjoyable listen and the sense of concert realism all too rare in other circulating ARs.

Technical Notes (Barry):

My first attempt at scream removal occurred years ago when I started creating digital transfers of my master tapes. I snipped out most of the worst ones, leaving behind noticeable artifacts, but there were some that I couldn't snip out without damaging the music. What I did was an improvement but the technology to do the job properly didn't exist and the recording went back onto the shelf.

This second attempt is more successful by far but it's not perfect by any means. You'll still hear some artifacts but they are much less obtrusive than before. It's as if I were able to pick up the worst screamers en masse and drop them all some distance away. I can't get rid of them altogether but the recording is now quite listenable.

The resurrection of this recording was inspired when I read an article about the auto-heal tool and healing brush effect in Adobe Audition. Anyone who has used the healing brush in Adobe PhotoShop knows what a miracle it can be when an important photograph is marred by small defects. I had dreamed of being able to apply visual effects to a waveform spectral display the same way I do to bitmap images for many years and it had finally arrived.

I started by using the spectral display in Adobe Audition to identify the visual representations of screams, which typically look like elongated, upside down U shapes at roughly 1-2 kHz, often with visible "echoes" (reverberations or harmonics) rising in frequency, or with "steam" rising from them. I found them to be most easily recognizable when zoomed way in, horizontally and vertically, using the default Blackmann-Harris windowing function at 4096 bands. A spectral display shows frequencies, not amplitude, so some shapes that look like loud screams actually aren't, and vice-versa.

The auto-heal tool that I had been expecting to use actually turned out to be useful only in a few instances where screams were very short and clearly distinguishable from the background. Most of the work was done with healing brush tool and the effects brush tool, each set to 10-15 pixels. Wherever the healing brush didn't work, I used a very narrow effects brush to apply one of several custom favorites all named "Eraser." I found that completely erasing a very narrow band gets rid of the worst part of a troublesome scream while leaving behind hardly any artifacts. In the worst cases, I had to apply the 96dB Eraser multiple times to remove particularly loud screams. These leave behind a little buzzing or hissing but the amplitude is much lower than the original scream.

There were a few screams that couldn't be removed without too much collateral damage. One occurs right after the lyrics "Now there's nothing more to say" at the end of Time. Others occur in On the Run. A few had to be snipped out. Many were snipped out seamlessly between songs.

Audition's drawing tools are worth every penny but, unfortunately, you have to pay quite a few pennies for them. (Audition is the successor to Cool Edit Pro, a product that used to be from a company named Syntrillium and has been available free for years.) The best price I've seen lately is $99.25 on eBay.

The tools open up a whole new world of possibilities for removing the obnoxious noises made by idiots who think that going to a rock concert is a license to scream and whistle and forget all about courtesy and civilized behavior.

[GDHAL]

Gomez
2006-05-23
The Avalon Ballroom
Los Angeles CA

The Anonymous Gomez Taper
SRC> SBD

Set List
Disc One
1. Intro
2. Shot Shot
3. All Too Much
4. Love Is Better Than A Warm Trombone
5. See The World
6. Nothing Is Wrong
7. Ping One Down
8. Notice
9. Blue Moon Rising
10. In Our Gun
11. How We Operate
12. (Crowd)
13. Hamoa Beach
14. (Crowd)
15. Ruff Stuff
16. Girl Shaped Love Drug

Disc Two
1. Rhythm & Blues Alibi
2. Rhythm & Blues Alibi (cont)
3. Free To Run
4. Devil Will Ride
5. Chasing Ghosts With Alcohol
6. Make No Sound
7. Fill My Cup
8. Whippin' Picadilly

[GDHAL]

** AT WIFE'S REQUEST **

Radiohead

6/13/2006

The Theater at Madison Square Garden

New York, NY



Taper: scb

Source: DPA (B&K) 4022s > Sound Devices 722 @ 24/96
722 >
        Apple MacBook Pro > Spark XL 2.8.2 (normalize, resample to 44.1khz, dither to 16 bit) >
        xACT 1.58 > shn


Location: Dead Center, about 20 feet from the stage



Disc 1



01 Intro                         02:01.32

02 You And Whose Army?           03:18.39

03 The National Anthem           04:45.31

04 2+2=5                         03:30.29

05 15 Step                       05:02.36

06 Morning Bell                  04:18.26

07 Arpeggi                       04:40.54

08 Videotape                     04:34.35

09 Kid A                         04:28.02

10 Fake Plastic Trees            04:54.15

11 Climbing Up The Walls         04:46.12

12 Nude                          05:10.40

13 Bangers 'N Mash               03:30.52

14 Idioteque                     04:39.11

15 There There                   05:20.19



Disc 1 Total: 65:00.58




Disc 2



01 Street Spirit                 04:41.02

02 Bodysnatchers                 04:34.69

03 Lucky                         06:29.45


Encore 1:


04 I Might Be Wrong              05:31.47

05 Down Is The New Up            05:39.60

06 The Bends                     04:24.53

07 Everything In Its Right Place 08:05.14


Encore 2:


08 House of Cards                05:45.68

09 How to Disappear Completely   07:32.09



Disc 2 Total: 52:44.67




notes: This is a 16/44.1 copy for cd.  The original 24/96 copy exists in flac format


compiled on 6/14/06 by scb

[GDHAL]

okay phriends you have seen the heavy groups now you will see morning maniac music believe me yeah it's a new dawn

Jefferson Airplane
Monterey Pop Festival
1967, June 17th, 2nd Day

1. Somebody To Love w/ Garcia intro
2. Other Side Of This Life 
3. White Rabbit 
4. High Flying Bird 
5. Today 
6. She Has Funny Cars 
7. Young Girl Sunday Blues 
8. The Ballad Of You And Me And Pooneil 

--------------------------------------------------------------------------------
Remastered By Tokemaster
(pitch reduced)

[GDHAL]

Jerry Douglas Band with
Maura O'Connell and Tim O'Brien
Lebanon Opera House
Lebanon, NH
November 14, 1998


This is simply stellar AUD stuff! In fact, but for the applause, I'm just not at all convinced of its purported AUD status! I'm pretty certain this came from Dime, as I can't find it on TTD.  Per the original text:
--------------------------------------------------------

Source: Digital Aud Audio Technicas ATM-35 Hyper Cardioid Capsules > Sony D8 DAT
Recorded by Casey Coniff stealth mics in hat 2nd Row left center
Cloned: November 1998 Casio DA-7 > Panasonic SV-3700
Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 @ 48 khz > Wavelab 5.0
mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level

Transferred, Mastered by Bill Koucky November 2007

The Band:

Jerry Douglas - Dobro, Pedal Steel
Russ Barenburg - Guitars
Byron House - Bass
John Gardner - Drums
Tim O'Brien - Mandolin, Fiddle, Mandola, Vocals
Maura O'Connell - Vocals
Andrea Zahn - Fiddle, Vocals

The Tracklist:

Disc 1
1st Set:
1.   Intro
2.   Passing The Bar
3.   From Ankara To Izmir
4.   Band Intros
5.   Who's Your Partner
6.   Follow On
7.   Blue Train
8.   Open Arms
9.   River Of Blood
10.   Man Gave Names To All The Animals
11.   When No One's Around
12.   Like It Is
13.   A Tribute To Peador O'Donnell >
14.   Takarasaka

Time:      63:20

Disc 2
2nd Set:
1.   Ana Colhn
2.   The Sully Gardens
3.   Maura teaches the audience the song...
4.   Still Hurts Some Time
5.   Turkish Taffee
6.   How Come I Ain't Dead
7.   Things In Life
8.   Hey Joe
9.   Helpless Heart
10.   Jerry gives thanks and Band Intros
11.   Pushed Too Far
12.   crowd
Encores:
13.   Crazy Dreams
14.   For Those Who've Gone Clear

Time:      58:20

An Exceptional Recording!

---------------------------------------------------

Dudogger Lineage: Dime (?) > Flac Frontend > WAV > On my hard drive for a long time > Flac Frontend (level > FLAC > Edited text file, generated .md5 and ffp files > Upped for all y'all

[GDHAL]

Steve Winwood
Unknown Venue 2008
DSBD > CDR on the fly > EAC > You

Opened for Tom Petty and the Heartbreakers
Thanks B.M.

1. I'm Not Drowning
2. Dear Mr. Fantasy
3. The Low Spark Of High Heeled Boys -> Empty Pages
4. Can't Find My Way Home
5. Dirty City

[GDHAL]

** AT WIFE'S REQUEST **

Bob Marley and the Wailers - Babylon By Bus Alternatives

Hammersmith Odeon, London 1976 and Pavillon De Paris, Paris France June 25-27 1978

These tracks were recorded by Island Mobile Unit for the official release
Babylon By Bus.  These were not used for the official release and were giving to me from a
friend who was given them as payment for shotting his friends (worked at Tuff Gong for a period ) wedding pictures.

This group of live tracks has never circulated in its raw non remastered format though recently the private remasters were leaked. 

Enjoy these wonderful quality recordings as there is not much new Bob left out there. 

Another Classic From The Dubwise Garage Collection


CD > EAC > Traders' little helper (checksum & flac conversion )

Setlist

Bob Marley And The Wailers - t01 Rebel Music
Bob Marley And The Wailers - t02 Want More
Bob Marley And The Wailers - t03 Crazy Baldheads
Bob Marley And The Wailers - t04 Running Away
Bob Marley And The Wailers - t05 Roots Rock Reggae
Bob Marley And The Wailers - t06 Bend Down Low
Bob Marley And The Wailers - t07 Positive Vibration
Bob Marley And The Wailers - t08 Rat Race Version 1
Bob Marley And The Wailers - t09 War
Bob Marley And The Wailers - t10 Rat Race Version 2

[GDHAL]

moe.
Double Door
Chicago, IL
November 7, 1996

Source: SBD > DAT (48k)

Transfer: DAT/m in Tascam DA-30 MKII > Sound Devices 722 (AES/EBU) > Audiogate (fades, tracking) > xACT (flac 8 w/ tags)

Recorded by Mark Bernhardt, transferred by taperjoe.

**  48 kHz recording  **

1. St. Augustine
2. Time Again
3. Awesome Gary
4. Jazz Wank >
5. Buster
6. Moth
7. Defrost >
8. Akimbo
9. Bring You Down
10. Nebraska
11. She Sends Me
12. Spaz Medicine >
13. Seat Of My Pants
14. Rebubula

There is an occasional clipping-type sound throughout this tape that seems to be associated with the biggest transients, i.e. hard drum hits & some bass slaps.  It's possible that the individual channels on the SBD were clipping & that's what we hear, but it could be a number of things.  It does not seem like digital noise though, & it doesn't kill the listen, especially for a show that doesn't seem to circulate until now!

Thanks to Mark for taping & for sending the DAT to transfer!

[GDHAL]

Fleetwood Mac
1972-09-02 _ Commack, Suffolk County, New York, USA _ Long Island Arena _ (M-AUD *REMASTER*)
366 Veterans Memorial Highway

~*~ Mk2 version, carefully remastered fixing various issues, with EQ ~*~
***THIS IS THE RECOMMENEDED LISTENING VERSION. ADJUST TREBLE TO YOUR LIKING***

01. Homeward Bound
02. --audience/tuning/talk--
03. --unknown instrumental--
04. Green Manilishi
05. ...Future Games
06. Morning Rain
07. --audience/tuning/talk--
08. Sunny Side Of Heaven
09. --audience/tuning--
10. Trinity
11. --audience/tuning/talk--
12. Black Magic Woman -> jam
13. --audience/tuning/talk-- 
14. Oh Well           
15. --audience/tuning/talk--

Encore :::
16. drums -> jam ->
17. Shake Your Moneymaker   

Total Time ::: 59:59

::: Non-hi-fi but LOADS better than the original recording. Check samples for feast or famine Fleetwood findings.
::: Warts: Some distortion & hiss. #05 fades in about 47secs late. #12 tapeflip splice 3mins in. Healed/lowered most clapping but has occasional low level & #16 drum section still some clapping.
::: CONTRAST CLAUSE: Mk2 version meticulously remastered & EQ'd version. The Mk1 version without EQ & muffled & only slightly remastered may be found elsewhere.
::: If a bit bright for you, turn down your treble a bit.
::: Originally scheduled for 1972-08-26, but rescheduled & performed Saturday 1972-09-02.
::: Bill: Deep Purple, Fleetwood Mac, Silverhead, ELF (w/Ronnie James Dio) but the taper doesn't remember ELF performing.
::: Tickets $5.50 advance/$6.00 day of show.
::: PRICE CONTRAST: NYC 2019 F.Mac advance Ticketmaster tix $194-$3068 +$fees$. NO typos! 40-570 times more expensive.
::: Some AUD noise deleted at start (before intro), & before encore.
::: If #03 "unknown instrumental" is known to one of you, please spill the beans.
::: Some traxsplits a bit odd as the drums sometimes roll on past the end of the song.
::: About 2 weeks before Danny Kirwin left the band.
::: "Bare Trees" recorded '71-72 & issued March 1972. "Penguin" recorded January 1973 & issued in March.
::: Aside from Gaelic Park 1972-08-30, the only recording to appear from the fall USA 1972 tour?
::: Only the 2nd live "Sunny Side Of Heaven" (from "Bare Trees") to surface with Danny Kirwin?
::: This taper also taped Deep Purple but lent the tape out way back when & it was never returned.
::: This taper also taped Silverhead who were presumably promoting their '72 self-titled 1st LP. Not sure I need to hear it.
::: R.I.P. Daniel David Kirwan (13 May 1950 – 8 June 2018).

Recording Information ::: $35 Lafayette monaural cassette recorder with adjustable recording level & Sony monaural microphone (came with the 7' TC-200 reel recorder) -> master Lebotone normal bias mono cassette, no noise reduction.

Playback (circa 2003) ::: master normal bias mono cassette -> Kenwood KX-W896 cassette deck (azimuth adjusted) -> Marantz Compact Disc Recorder CDR630 -> CD-R -> wavs.

Remastering 2018-07-xx ::: wav files -> Audacity [normalisation to remove DC offset, channel/phase alignment, fades, manual one-at-a-time glitch, bump, pop, click, dropout & dullspot repairs, volume adjustments, no pitch (speed) fixes needed after frequency analysis & with pitchpipe verification, differential equalisation applied, Zynaptiq UNVEIL reverb removal & signal focusing processor applied, re-mixed, NO noise reduction, only right channel used after remastering to stabilise the already mono sound] -> CD Wave (track splits) -> flacs (Trader's Little Helper) -> Mk2 tagged in foobar -> yr ears. First uploaded 2018-07-xx.

Line-up ::: "Bob" Robert Lawrence Welch Jr. - electric guitar, vocals // "Danny" Daniel David Kirwan - electric guitar, vocals // Christine Anne McVie (née Perfect) - keyboards, vocals // John Graham McVie - electric bass // "Mick" Michael John Kells Fleetwood - drums.

Nothing here ever commercially released to my knowledge. If I'm wrong, please advise & I'll take the offending trax offline.

DimeTravel 424 ::: Thanks to the original taper & trader, The Florida Kid! Thanks to hendrixfan1995 for the differential EQ program, applying the Zynaptiq UNVEIL, & for all the advice. As is so often the case, additional thanks are owed to DIMER gv0000 for supplying assorted information. ::: Corrections welcome ::: This is quite cool & goes out to dedicated DIMER glasnostrd19 - sorry it took so long but worth the wait for the upgrade from my cassette copy to the master! Possibly due to a diet of beer among other issues, and supposely within 2 weeks from this gig on this tour, Kirwan & Welch had a fight. Kirwin started banging his head & fists against a wall, smashed his Les Paul & wouldn't play go onstage. He was subsequently fired by Mick Fleetwood. There's some lovely Kirwin guitar here, including great slide work. A fine tribute to Danny that we all get to hear a fine rendition of "Sunny Side Of Heaven" live & I'm sure no one will complain about having another version of "Trinity" which always seems to have some variations. There's some of the wildest Bob Welch guitar we've ever heard in places - parts of "Black Magic Woman" & "Oh Well" are ferocious. There's a lotta good to be had here for those who can deal with the quality - and it's certainly better than it's ever been in the Mk2 EQ version. Listen, enjoy, show appreciation, share, give, spread peace. Yrs truly, Knees

Support the artists and/or their families! www.fleetwoodmac.com

Do whatever you want with it except sell it, 'cause that ain't cool!

[GDHAL]

Grateful Dead
February 22, 1993
Oakland-Alameda Coliseum
Oakland, CA

Taped by Jeff Silberman
Tapes Provided by Ian
Capture & Edit by P.Togos
Synch & Author by Kevin Tobin

Video: AUD (Tripod) > 1st Gen
Master: Canon L1 Hi8 Pro > Unknown Hi8 Deck > Hi8 Master > Unknown VCR > 1st Gen VHS (Maxell XL-HiFi 120)
Transfer: VHS 1st Gen > Panasonic AG-7150 > Canopus ADVC-300 > Firewire > HD > Sony Vegas 9 (.avi) > MPEG2 > TMPGEnc MPEG Editor 2.0 > DVD Architect Pro 6 > DVD9
[NTSC, 4:3, 8.0 & 7.5 Mbs, 720x480, 29.97 fps]

Audio: SBD > DAT (44.1k) > Sony PCM-R500 > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC (shnid=138698)
All Transfers & Mastering by Charlie Miller - June 29, 2017
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

Set 2
Saint Of Circumstance
Scarlet Begonia's
Fire On The Mountain
Wave To The Wind
Drums
Space
Days Between
Throwing Stones
Not Fade Away
Knockin' On Heaven's Door
01:47:38

Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

[GDHAL]

Grateful Dead
February 23, 1993
Oakland-Alameda Coliseum
Oakland, CA

Tapes Provided by Ian
Capture & Edit by P.Togos
Synch & Author by Kevin Tobin

Video: AUD (Tripod) > 1st Gen
Master: Canon L1 Hi8 Pro > Unknown Hi8 Deck > Hi8 Master > Unknown VCR > 1st Gen VHS (Maxell XL-HiFi 120)
Transfer: VHS 1st Gen > Panasonic AG-7150 > Canopus ADVC-300 > Firewire > HD > Sony Vegas 9 (.avi) > MPEG2 > TMPGEnc MPEG Editor 2.0 > DVD Architect Pro 6 > DVD5 & DVD9
[NTSC, 4:3, 8.0 & 7.5 Mbs, 720x480, 29.97 fps]

Audio: SBD > DAT > Sonic Solutions > CD > ?? > SHN - (shnid=1611)
md5 & shn created by Mike Hall
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

Set 1
Cold Rain & Snow
Wang Dang Doodle
Loser
Stuck Inside Of Mobile With The Memphis Blues Again
Broken Arrow
Way To Go Home
Johnny B. Goode
00:52:48

Set 2
Mardi Gras Parade *%$
Iko Iko *%$
Corrina
Lazy River Road
Playing In The Band
Drums @^
Space @*#
The Other One *#
Stella Blue #
Turn On Your Lovelight #
Brokedown Palace
01:59:26

Notes:
Ornette Coleman Group Opened
Jerry sits in last song of Ornette's Set
Jerry plays Wolf
Camera has an effect on it

Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Ornette Coleman - Saxophone #
Denardo Coleman - Drums *
Sikiru Adepoju - Percussion %, Hand Drum @
Graham Wiggins - LP Clave $, Yirdaki (Didgeridoo) ^

[GDHAL]

Pink Floyd
"Song Days Festival 1969" (HRV DVD 018 RevA) PAL
Internationales Essener Pop & Blues Festival 1969
Grugahalle, Essen, Germany
11 October 1969

Lineage: Unkown (PAL DVD)
Originally broadcast on German TV as "Internationales Essener Pop & Blues Festival 1969"
Video: PAL (720x576) Black & White / 8 Mbps
Audio: PCM Stereo (from mono source)

Careful With That Axe Eugene (6:12)
A Saucerful of Secrets (15:00)

Total Running Time (21:09)

This is a significant upgrade of our intitial release from 2008. This video appears to be sourced from a 16mm transfer and does not suffer from the poor contrast and visual timecode from the orignial DVD.

A BIG thank you to GONZO, Dr. Forrester, lucsam, and MOB for helping to $ecure this video!

Video remastering: rontoon
Audio remastering: MOB
Original artwork: Moonwall

Cheers!
RonToon (August 2012)

[GDHAL]

Phil Alvin with Willie Dixon and James Harman
FolkScene 
KPFK 90.7 FM
Los Angeles, CA
December 14, 1986

FM>unknown (cassette(x))>cdr(0)>eac>cd wave>flac>you

01.  Interview
02.  Mobile Line
03.  Interview
04.  Voodoo Music
05.  Interview
06.  Just Keep On A-Lovin' Her
07.  Interview
08.  Mean Old Frisco
09.  Interview
10.  Big Road Blues
11.  Interview
12.  Gangster's Blues (missing)

T.R.T. 51:05

[GDHAL]

Joni Mitchell
"Sounds for Saturday"
BBC 2, London, England
May 19, 1972  (broadcast: Saturday June 10, 1972)

Source: BBC Radio broadcast > low generation cassette (courtesy of M.R. archive)

Transfer: Zoom H4n (16 bit / 44.1 kHz) (transfer by M.R.)

Editing: Soundforge (tracking) > Wav (Eac tested) > TLH (sector boundary aligned) Flac level 8

Traders Den 5/9/18  - Tracked by kingrue upload 1474
...

According to Joni's official site,  there were a few more songs played that are missing from this tape. 

But I also have songs that were not listed either.  so who knows what the full set list really is?

A quote from someone who attended, which might explain why some of the songs were not broadcast.

"The 'clinkers and clunkers in the middle' refers to two earlier takes that went wrong, where Joni stopped short, said 'Oh SHOOT!' then collapsed into laughter."

You can see the May 19, 1972 listing:
http://jonimitchell.com/chronology/detail.cfm?id=1326

Thanks to MR for supplying the tape.  Check samples for quality.


Set list:
01 This Flight Tonight
02 Electricity
03 Big Yellow Taxi
04 See You Sometime
05 That Song About the Midway
06 The Gallery
07 The Priest
08 California
09 Joni talks
10 Carey
11 You Turn Me On (I'm a Radio)
12 For The Roses

Total Time = 44:46 min

~~ ENJOY ~~

[GDHAL]

Best of Bobby Weir & Wolf Bros feat The Wolfpack
w/ Atlanta Symphony Orchestra
Atlanta Symphony Hall,
Atlanta, GA
2-17>19-2023

AT-943 h-cards (hat)> MixPre3 32/48
Jim Burchfield

Act 1
1 - Symphony Overture Conducted by Dr. Giancarlo Aquilanti 2-18
2 - Touch of Grey 2-18
3 - Lost Sailor 2-18
4 - Saint of Circumstance 2-18
5 - Row Jimmy 2-19
6 - Cassidy 2-19
7 - Playing in the Band 2-17
8 - Uncle John's Band 2-17
9 - Dark Star V1 2-17
10 - China Cat Sunflower 2-17
11 - I Know You Rider 2-17
12 - Shakedown Street 2-18

Act 2
1 - Jack Straw 2-18
2 - The Other One 2-18
3 - Wharf Rat 2-17
4 - Stella Blue 2-17
5 - Terrapin Station Suite 2-19
6 - Days Between 2-19
7 - Dark Star V2 2-19
8 - Uncle John's Band Reprise 2-19
9 - Playing In The Band Reprise 2-19
10 - Morning Dew 2-18
11 - Sugar Magnolia 2-18
12 - Brokedown Palace 2-19

ct 3
1 - Eyes of the World 2-17
2 - What's Going On > Eyes of the World Reprise 2-17
3 - Weather Report Suite 2-18
4 - Let It Grow 2-18
5 - Estimated Prophet 2-19
6 - Truckin' 2-19
7 - Not Fade Away 2-19